Tuesday 17 January 2017

He just made wonderful stuff - Akio Takamori

I just got the sad news that we have lost Akio Takamori, whom I consider one of the most original talents in contemporary ceramics.  For my friends in ceramics and those who follow it, I am excerpting a moving, longer article that NCECA has just published:

Remembering Akio Takamori (1950-2017)

The field of ceramic art lost an indelible, creative, and generous spirit when sculptor, teacher, mentor, and friend Akio Takamori succumbed to cancer on Wednesday, January 11. His wife Vicky wrote, “ ... his last day was spent working in his studio and loading a small kiln. He left his studio for the last time in preparation to return the next day. 

The work for his upcoming exhibition at James Harris Gallery in Seattle this February was completed. Despite his cancer and increasing limitations, he was moving forward gathering ideas for his next group of work. He told me once, he had so many ideas for new pieces that it kept him awake at night in anticipation of what to make next.”
Contributing to NCECA’s remembrance are lines from Richard Notkin’s message to NCECA President Chris Staley about their dear friend Akio. Born in 1950, Akio Takamori spent his childhood in Nobeoka, Miyazaki, Japan. His father was a physician whose library of medical and art texts fascinated young Takamori throughout his childhood. Takamori has also shared that his father’s dermatology practice, located near a tenderloin district, drew a wide range of people and influences into his sphere at a young age.

Akio’s passing is a terrible loss for everyone, especially those of us who knew him. A fantastic individual, wonderful spirit, the most creative and inspiring artist I have ever met. Akio made art of everything he touched, from deep within himself, as we all know. For me, he was the epitome of what true artists embody. He just made wonderful stuff. It was never about his ego, just about making art. He will always be an inspiration to me, and, I am sure, to all of us.

Akio's fascination with art and culture further developed as he grew older. Following graduation from Tokyo University, he became apprenticed to a master folk potter in Koishiwara Kyushu. Takamori was impressed by a traveling exhibition of new ceramics from Canada, the United States and Latin America, whose anti-authoritarian posture made a strong impact on his thinking about art. Also around this time, legendary Kansas City Art Institute educator and potter, Ken Ferguson met the young Takamori while visiting the pottery. The two soon developed a rapport, and in 1974, Takamori travelled to Kansas City to study at the school. Ferguson's unique approach to teaching and making had a profound influence on Takamori's shift to his focus to more expressive and personal explorations of content and reinventions inspired by ceramic traditions. After earning his BFA (1976), Takamori went on to earn his MFA from Alfred University (1978). In the 1980s, he moved on to a residency at the Archie Bray Foundation in Montana. In 1993, Takamori accepted a faculty position at the University of Washington Seattle where he was named Professor Emeritus.

It will be sad to live in a world without Akio, especially in our Puget Sound neighborhood. He was truly loved by all. But he leaves much behind that is so positive, so beautiful, and, above all, that touches so many people in truly profound ways. Both his art and his wonderful life and spirit. All we have while we are on this planet is our time, and Akio used his time as well as anyone I have ever known. We were all blessed to know him.

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