After months of burning the candle at both ends, my body is screaming at me to stop. I was moderating a panel not that long ago and I was teasing myself over my discomfort saying, "This is what you get for not being moderate." Anyhow, long story short after doing two biennales back to back – the Bonavista Biennale and the Canadian Craft Biennial– teaching at a writers' residency, curating an exhibition, writing assorted articles and sandwiching in music events, dancing and a little out of province visit with family, I am trying to catch up on the mundane paperwork associated with being a self employed writer and curator. Those tasks are things like invoicing, bill collecting and updating your resume. But it turns out, the most overdue item on my list was my own medical appointments.
I have the dubious habit of trying to power through things, ignoring discomfort until after a deadline has been met. However, there is always a dangerous turning point where discomfort turns into pain you cannot ignore–like tendonitis that morphs into tendonopoly.
Sadly, I have discovered tendonopoly is not a board game. For me, it means that my foot and calf has been taped up since the start of October. Several of my favourite comforts are gone for the foreseeable future, like baths, hiking and swing dancing. I try and practice gratitude and the exercises given by my physiotherapist.
So, in the meantime I will read more–like the catalogue for the craft biennial, which is a lavish 148 pages. (I contributed an essay on materiality in it.) I have just finished The Matisse Stories by A.S. Byatt and am currently reading Bridget Canning's The Greatest Hits of Wanda Jaynes. I am also watching the mailbox for my copy of a new book published by Routledge that I contributed a chapter to on curatorial strategies.