|  | 
| Thanks for the loan of the catalogue Mary! I understand it is for sale from the Agnes Etherington Gallery for $22. | 
This week through the good graces
of Mary MacDonald at Eastern Edge Gallery, I learned about another tattoo
project:  Bernard Clark's Tattoo
Portraits.  It is an exhibition originated by Agnes Etherington Gallery
in Ontario.  This gallery has
always been of interest to me. 
They've done craft, African artifacts and a number of things that have
aligned with my interests and so I keep a watch out for their name in the gallery
listings.  I recommend them if you
are ever in their neighbourhood, which is Queens University in Kingston.  Bernard Clark has done a lot of work
for Skin & Ink magazine (do
you want to see the pile of tattoo magazines on my living room floor?) and even
photographed Angelina Jolie. 
Celebrity factor in spades. 
I studied the catalogue for the show.  The essay was basically Clark's resume and the photos
didn't impress me because there was much evidence of Photoshop to manipulate
the images.  When I shared the
publication with Ned Pratt, he observed that the backgrounds had been dropped
in.
I have a growing concern about the
photography of tattoo subjects. 
Last year when I had the good luck to be in Chicago for the SOFA Art
fair, I noticed this image:
|  | 
| Invitation image from the Packer Schopf Gallery in Chicago. | 
I found it disturbing because, I
felt (and you are welcome to disagree with me), they treated the tattoo
individual like a sideshow freak. The image, at least in a version I saw, had really poor contrast and so was difficult to "read".  When I showed the photo to my son he commented simply, "Mom, they
made him look like a toad". 
It was a sensationalistic image that did not respect the fact that this
was a man and not an animal.  Now,
I know we are all mammals despite the fact that Socrates defined men as
"featherless laughing bipeds". 
But I do not want tattooed people to be laughing stocks.  I don't think it is fair; legal perhaps
but not just.
 
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